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Music du Jour
Current price: $17.99
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Barnes and Noble
Music du Jour
Current price: $17.99
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Adventurous bluegrass fans who fell in love with the New Acoustic sound of
Tony Rice
and
David Grisman
back in the '70s and '80s will thrill to this album by the
Matt Flinner Trio
, which features mandolinist
Flinner
, guitarist
Ross Martin
, and bassist
Eric Thorin
playing original compositions in a style similar to that favored by the
David Grisman Quintet
and the
Tony Rice Unit
back in the day: complex, meandering chord progressions combined with fiery bluegrass tempos and rhythms. Sometimes, as on the rather vague
"In the Golden Zone"
"Atomic City,"
those progressions meander just a bit too aimlessly and leave you with the impression that the musicians were maybe more concerned with mental exercise than with creating something pleasing for their listeners. But elsewhere, their blend of jaw-dropping virtuosity and adventurous writing is thrilling: the fugue-like structure of
Thorin
's
"Stomp Hat,"
the nearly harmolodic Celt-grass sprawl of
"Inferno Reel,"
and the immediately accessible but subtly complex
"Blossom"
are all examples of this group at its best, and all take the New Acoustic tradition off into uncharted territory with very exciting results. ~ Rick Anderson
Tony Rice
and
David Grisman
back in the '70s and '80s will thrill to this album by the
Matt Flinner Trio
, which features mandolinist
Flinner
, guitarist
Ross Martin
, and bassist
Eric Thorin
playing original compositions in a style similar to that favored by the
David Grisman Quintet
and the
Tony Rice Unit
back in the day: complex, meandering chord progressions combined with fiery bluegrass tempos and rhythms. Sometimes, as on the rather vague
"In the Golden Zone"
"Atomic City,"
those progressions meander just a bit too aimlessly and leave you with the impression that the musicians were maybe more concerned with mental exercise than with creating something pleasing for their listeners. But elsewhere, their blend of jaw-dropping virtuosity and adventurous writing is thrilling: the fugue-like structure of
Thorin
's
"Stomp Hat,"
the nearly harmolodic Celt-grass sprawl of
"Inferno Reel,"
and the immediately accessible but subtly complex
"Blossom"
are all examples of this group at its best, and all take the New Acoustic tradition off into uncharted territory with very exciting results. ~ Rick Anderson