The Central American nation of Guatemala is a land of cultural convergences. The modern day descendents of the ancient Maya share the countryside with Ladinos (Guatemalans who associate themselves with the Spaniards who conquered and settled this land back in the 16th century). In addition, Guatemalans of African ancestry have settled the country's Caribbean coastal region. Accordingly, Guatemalan music is a unique intermixture of Mayan, Spanish, and African aesthetic sensibilities. The ethnomusicologist , who traveled to Guatemala in 1964 in order to record this and the first volume of for , found Guatemalans of various backgrounds side by side and making music in the rural hinterland. Among some of the many standout tracks on this record is the first, which captures a pito (flute), chirimia (double-reed instrument of Spanish origin), and drum trio cranking out syncopated and shrill processional music. The African-originated marimba, which is the national instrument of Guatemala, is prominently featured in both secular and sacred contexts on the album. Though managed to record some incredible music, he may have conducted unethical fieldwork practices by surreptitiously recording and Though it is possible that asked these two women for their permission, his neglect to credit any performers by name on the album leads one to believe that he failed to approach his subjects. Despite this dilemma, is an album that captures many amazing performances. ~ John Vallier