If needed a concept for 's last album on the label, there were certainly a few available. For one thing, features five of 's own songs, including chestnuts like and as well as lesser-knowns like The other half-dozen compositions are by the underrated songwriting team of , creators of the '50s Broadway hit . Though they're rarely spoken of in the same breath as or -- could it have anything to do with the lack of smoothness in pronouncing their names? -- wrote many standards, including Also, was the second LP recorded in Britain, the home of his most devoted audiences. The mellow arrangements -- by Brits , , and -- wrapped in soft strings, but also allowed for many individual voices, including guitar and trumpet. It's a style of arranging that perfectly suited 's growing inclination toward breezy, contemplative adult-pop during the '60s. And 's arrangement for the musically varied six-minute showtune captured a quintessentially American musical composition with flair. Call it whatever you want -- -- but is a solid album that only suffers in comparison to his masterpieces of the previous few years. ~ John Bush