The possessive in the title of
Lissie
's third album is telling: no matter how often this echoes the slow, narcotic sway of
Lana Del Rey
, this California is conjured by Illinois native
, an adult-alternative singer/songwriter who has slowly crept away from the folk roots she displayed on her 2010 debut,
Catching a Tiger
. Back then, she was bright and earnest and also bold, her burnished vocals had the grit in the gloss, a combination that amounted to a U.K. hit and set the stage for 2013's
Back to Forever
. With the help of producer
Jacknife Lee
,
embraced a crossover that never came, so the moodiness of 2016's
My Wild West
reads as something of a retreat: she didn't harness the stars, so she's turning inward. At first,
feels as if
is borrowing too many clothes from
, choosing to write about the sad sunsets and tarnished dreams of Hollywood, a borrowing that seems blatant only with the blessing of distance. As the record plays, the melancholy tides of
's tunes are quite alluring, a testament to her sense of craft, a gift that bears a double edge. She's savvy enough to recognize the prevailing pop trends -- it's not a bad idea to surf in
LDR
's wake -- and she's sharp enough to make it not seem like she's crassly co-opting a craze. As good as these moody moments are,
is best once the darkness settles, and
offers nicely sculpted miniatures that feel alternately comforting and bruised, with the human touches
works so hard to remove from her own music. ~ Stephen Thomas Erlewine