To be an excellent singer of
standards
, whether
jazz
or
Brazilian
or otherwise, an artist must possess a strong yet subtle voice and work with a sympathetic band. To really endear him or herself to fans, though, he or she must also know their repertoire; not only which songs to sing, but how to sing them: which parts to embrace and which to re-imagine (and, of course, the amounts of both). Any of these skills are enough to spark a solid record, but
Luciana Souza
has all of them, and thus her work is usually brilliant.
North and South
is the third album of what
Souza
terms a trilogy -- the first was a tribute to poet
Elizabeth Bishop
, the second a collection of her arrangements of
traditional Brazilian
songs (
Brazilian Duos
). She closes out the series by balancing
from America and Brazil (thus the title), appropriately recalling her Brazilian forebears
Sylvia Telles
and
Elis Regina
, as well as
contemporary jazz
singers like
Cassandra Wilson
Diana Krall
. The two side-openers,
Jobim
's
"Chega de Saudade"
"Corcovado,"
are simply enchanting, but the first especially so, one of the best versions of the master heard in many years. On her own arrangement,
draws out the lyric even while the rest of the band cuts out for a nimble rewriting of the scales by pianist
Edward Simon
, resulting in a performance that's simply breathtaking. The American
"All of Me"
"When Your Lover Has Gone"
are the only disappointments here (and only in comparison),
giving in to an evocation of the notoriously fragile-voiced
Astrud Gilberto
. ~ John Bush