The fifth studio long player and second major-label release from the petrified Scottish mammals,
Painting of a Panic Attack
offers up another swoon-inducing, bloody-sleeved collection of erudite indie rock anthems that distill angst, both existential and situational, into fist-pumping crowd-pleasers. Produced with measured aplomb by the
National
's
Aaron Dessner
, the 12-track set sees frontman
Scott Hutchison
returning full-time to the fold after his 2014 solo outing under the
Owl John
moniker. Born out of homesickness for his bandmates and the old country --
Hutchison
spent much of his post-
existence on an extensive Los Angeles staycation.
treads familiar thematic ground for the group -- loss, dislocation, heartache, regret, etc. -- but between
's always compelling prose and
Dessner
's punchy production work, the overall effect is beguiling rather than staid. The album is front-loaded, to say the least, with early standouts like "Get Out," "Death Dream," "Woke Up Hurting," and "I Wish I Was Sober," which are as hook-driven as they are pained, with the banging "Get Out" packing the most firepower -- think
the Killers
with some humility or
Arcade Fire
sans righteousness.
really only deals with the City of Angels directly on two songs: the plaintive "Still Want to Be Here" and the brooding "Lump Street," but the notion that a stranger in a strange land can be both inspired and driven to tears is a familiar one for anybody who has ever sought change through relocation.
, like previous albums, can get a bit mired in wistful, midtempo soul searching, but it's by far the most immediate and inclusive collection of songs that the band has laid to tape to date. ~ James Christopher Monger