Originally published in 1924 this title is substantially a continuation of Baudouin’s earlier title , being an application of psychoanalysis to the theory of aesthetics, as illustrated by a detailed study of the works of the Belgian poet Emile Verhaeren. The ‘interpretation’ Freud has supplied for dreams Baudouin attempts – and archives – for the imagery of the artistic creator. The work is in part based upon private documents supplied to the author by Madame Verhaeren, an autograph letter, and a previously unpublished poem.