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Re-Birth of the Cool
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Barnes and Noble
Re-Birth of the Cool
Current price: $18.99
Barnes and Noble
Re-Birth of the Cool
Current price: $18.99
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Size: OS
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In the summer of 1991
Gerry Mulligan
decided to revisit
Miles Davis
's
Birth of the Cool
recordings. He discussed it with
himself who said he might be interested in participating but sadly
Davis
died a few months later. With
Wallace Roney
(the perfect sound-alike) in the trumpeter's place, baritonist
Mulligan
got the band's original pianist and tuba player (
John Lewis
and
Bill Barber
), used his own bassist (
Dean Johnson
) and drummer (
Ron Vincent
), and found able substitutes in altoist
Phil Woods
(unfortunately
Lee Konitz
was unavailable to play his old parts), trombonist
Dave Bargeron
John Clark
on French horn. This GRP CD brings back the dozen
recordings of 1949-50 with
Mel Torme
taking
Pancho Hagood
's vocal on
"Darn That Dream."
Although the charts are the same (and it is a particular pleasure to listen to them with the improved recording quality), the solos are all different and in many cases have been lengthened; no need to stick to only three minutes apiece. This fascinating disc is most highly recommended to veteran jazz collectors who know the original
records. ~ Scott Yanow
Gerry Mulligan
decided to revisit
Miles Davis
's
Birth of the Cool
recordings. He discussed it with
himself who said he might be interested in participating but sadly
Davis
died a few months later. With
Wallace Roney
(the perfect sound-alike) in the trumpeter's place, baritonist
Mulligan
got the band's original pianist and tuba player (
John Lewis
and
Bill Barber
), used his own bassist (
Dean Johnson
) and drummer (
Ron Vincent
), and found able substitutes in altoist
Phil Woods
(unfortunately
Lee Konitz
was unavailable to play his old parts), trombonist
Dave Bargeron
John Clark
on French horn. This GRP CD brings back the dozen
recordings of 1949-50 with
Mel Torme
taking
Pancho Hagood
's vocal on
"Darn That Dream."
Although the charts are the same (and it is a particular pleasure to listen to them with the improved recording quality), the solos are all different and in many cases have been lengthened; no need to stick to only three minutes apiece. This fascinating disc is most highly recommended to veteran jazz collectors who know the original
records. ~ Scott Yanow