Contents
1. Rembrandt Self-Portraits: The Creation of a Myth
- Arthur K. Wheelock, Jr., National Gallery of Art, Washington
2. Reconstructing Rembrandt and His Circle: More on the Workshop Hypothesis
- Walter Liedtke, The Metropolitan Museum of Art
3. Rembrandt at the Threshold
- Susan Donahue Kuretsky, Vassar College
4. Comments on Rubens' Coup de Lance: Its Iconography, Style, and Importance for Eugène Delacroix
- J. Richard Judson, Prof. Emeritus, University of North Carolina at Chapel Hill
5. Rubens, His Patrons and Style
6. Gender Issues in Seventeenth-Century Dutch Portraiture: A New Look
- Alison McNeil Kettering, Carleton College
7. Remarks on Love, Woman, and the Garden in Netherlandish Art: A Study in the Iconology of the Garden
- Sara M. Wages, The University of Maryland
8. The Strange Case of Jan Torrentius: Art, Sex, and Heresy in Seventeenth-Century Haarlem
- Christopher Brown, The National Gallery, London
9.
The Soothsayer
by Jan Lievens in Berlin: An Attempt at an Interpretation
- Maarten Wurfbain, Oegstgeest, The Netherlands
10. Ludolf de Jongh's
The Refused Glass
and Its Effects on the Art of Vermeer and De Hooch
-Roland E. Fleischer, Prof. Emeritus, The Pennsylvania State University