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Rethinking Horror the New Economies of Television
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Barnes and Noble
Rethinking Horror the New Economies of Television
Current price: $119.99
Barnes and Noble
Rethinking Horror the New Economies of Television
Current price: $119.99
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Size: Hardcover
*Product Information may vary - to confirm product availability, pricing, and additional information please contact Barnes and Noble
This book explores the cycle of horror on US television in the decade following the launch of
The Walking Dead
, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including
American Horror Story
,
The Haunting of Hill House
Creepshow
Ash vs Evil Dead
, and
Hannibal
; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television.
The Walking Dead
, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including
American Horror Story
,
The Haunting of Hill House
Creepshow
Ash vs Evil Dead
, and
Hannibal
; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television.
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