Ricky Donovan is the black sheep of the family. He's the most successful at business, but no one really understands what he does, or how he does it. He's a charming flirt and a regular at the local saloon. Work hard, play hard. That's Ricky. But he's also ambitious and wants to run for Mayor. His friends, successful businessmen themselves, think he has a good shot at it, but only if he gets married. He needs to work on his image and presenting himself as a family man, with a wife and possibly even a child, would help. Ricky can be a bit impulsive as well, and decides to ask Sarah, the newest saloon girl, to marry him. Sarah is pretty and blonde and even better, she has a young son, Andrew, who is ten. It seems like the perfect solution. And it is--sort of. Sarah is a recent widow, who accepted the saloon girl job as a last resort, when no other job opportunities were available in her native Philadelphia. The position includes living quarters for her and her son, a tiny, cramped apartment above the saloon. Sarah accepts Ricky's proposal as a business arrangement that will benefit them both. Until she realizes that not everyone in town thinks that marrying a saloon girl is a good idea, and she's afraid that she might be more of a liability, than an asset, to Ricky.