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Shadows and Light [Red & Clear 2LP] [Barnes Noble Exclusive]
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Barnes and Noble
Shadows and Light [Red & Clear 2LP] [Barnes Noble Exclusive]
Current price: $36.99
Barnes and Noble
Shadows and Light [Red & Clear 2LP] [Barnes Noble Exclusive]
Current price: $36.99
Loading Inventory...
Size: BN Exclusive
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Shadows and Light
is
Joni Mitchell
's second live album, and it serves as a good retrospective of her jazzy period from 1975-1979. As expected, she assembles a group of all-star musicians including
Pat Metheny
(guitar),
Jaco Pastorius
(bass),
Lyle Mays
(keyboards), and
Michael Brecker
(saxophone) who give these compositions more energy than on the studio recordings. The musicians are given room to jam, and they sound terrific on uptempo songs such as
"Coyote"
and
"In France They Kiss on Main Street."
If there is a general theme of these songs, it's about growing older and maturing after the failed idealism of the late '60s (the album opens with audio clips from the movie
Rebel Without a Cause
). Although this album is pleasing, the live arrangements are not different enough from the studio versions to warrant higher marks. In fact,
Mitchell
has always been an album artist who recorded studio albums that had a sound and feel all their own. While
provides a nice summary of her
experimental
period for casual fans, interested listeners should start with
Hejira
or
The Hissing of Summer Lawns
. ~ Vik Iyengar
is
Joni Mitchell
's second live album, and it serves as a good retrospective of her jazzy period from 1975-1979. As expected, she assembles a group of all-star musicians including
Pat Metheny
(guitar),
Jaco Pastorius
(bass),
Lyle Mays
(keyboards), and
Michael Brecker
(saxophone) who give these compositions more energy than on the studio recordings. The musicians are given room to jam, and they sound terrific on uptempo songs such as
"Coyote"
and
"In France They Kiss on Main Street."
If there is a general theme of these songs, it's about growing older and maturing after the failed idealism of the late '60s (the album opens with audio clips from the movie
Rebel Without a Cause
). Although this album is pleasing, the live arrangements are not different enough from the studio versions to warrant higher marks. In fact,
Mitchell
has always been an album artist who recorded studio albums that had a sound and feel all their own. While
provides a nice summary of her
experimental
period for casual fans, interested listeners should start with
Hejira
or
The Hissing of Summer Lawns
. ~ Vik Iyengar