The debut novel from the award-winning Ghanaian-born Jamaican poet.
Winner of the 2008 Hurston/Wright Legacy Award for Best First Novel
“Dawes offers vibrant characters and locales in this diaspora of black culture and strong emotions, bordering the fine line between love and madness between two troubled people.” —
Booklist
Kofi, a Jamaican reggae musician, and Keisha, a social researcher from South Carolina, meet at a club where Kofi’s band is playing on the tail end of a United States tour. Kofi and Keisha come together that night, seeking relief from the uneasy circumstances of their life—Keisha still trying to make up her mind about an ex-lover who keeps coming back into her life, and Kofi realizing that he is teetering on depression and the tyranny of his older lover in Jamaica. Something happens in their first meeting and Kofi convinces Keisha to take a chance and follow him to Jamaica.
She’s Gone
explores the complex dynamics of two virtual strangers trying to negotiate the complicated terrain of cultural difference, class difference, and issues of gender. The Jamaica that Dawes writes about is thick with the politics of class and identity, full of characters with distinct agendas and needs—a world quite different from the stereotype of sea and sun. Keisha feels immediately like a stranger on the island, and Kofi’s return to Jamaica transforms him into a brooding man who finds comfort in withdrawing into himself.
Keisha takes off for the north coast, where she tries to make sense of her decisions. She is sure that she has made a mistake in coming to Jamaica. While there, she is physically attacked and left to feel as if she has no one to care for her. Kofi’s inertia is a disappointment and Keisha decides to return to America. Kofi succumbs to a deep depression and only when he discovers that Keisha is pregnant with their child does he begin a long journey across the US to find her. His travels take him to South Carolina, to her family, to her landscape and her history, teaching him more about Keisha and more about how much he needs her. It is never certain whether Kofi will find Keisha—her commitment is to find a new life for herself, a new space for herself.
delves into the psychology of desire and need as it contends with issues of culture and class. If it is a love story, it is one marked by the harsh realities of human existence that we see in the most revealing of Bob Marley’s love songs, or the cool sensual intelligence of the best of Milan Kundera. Dawes is a poet, but he never lets his poetry detract from the sheer pleasure of storytelling.