When the duo
Plaid
burst out of the
Black Dog
split of the mid-'90s with several albums of challenging
electro-techno
, the member they left behind,
Ken Downie
, seemed to fade into the background. He emerged very occasionally to release excellent material, but for all intensive purposes, it appeared he would be remembered only for what
had accomplished as a threesome.
Silenced
, although only his second proper album since 1997, is another excellent album of listening techno; it bears all the hallmarks of his
classics without overly relying on them, and it has to force a readjustment in how critics view him in the history of
electronica
. Most closely resembling
's 1995 record
Parallel
(right down to the
"Bolt"
interludes), the record is driven more by mood than technology; the drum programs aren't complex, but
Downie
has a way of bewitchingly conjuring the past with his productions that not even
Boards of Canada
can touch. As before too,
electro
plays a big part in the sound of
, as does
's interest in the classics (that is, Egypt, Greece, and Rome). The two-part
"Trojan Horus"
is the best piece he's released in ten years, and it's abetted by yet more great stuff:
"Drexian City R.I.D.E.,"
"Alt/Return/Dash/Kill,"
and
"Truth Benders D.I.E."
~ John Bush