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Simple Math
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Simple Math
Current price: $12.99
Barnes and Noble
Simple Math
Current price: $12.99
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Size: CD
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Manchester Orchestra
's 2011 effort
Simple Math
is an epic, would-be concept album revolving around lead singer/songwriter
Andy Hull
's life to date. Which, essentially, consists of the time
Hull
-- in his twenties as the time of release -- has spent with his band, which he started in high school. It's clear from the melancholy lead-off track,
"Deer,"
that
is angry, depressed, and regretful over most everything in his life. He sings, "Dear everyone I ever really knew, I acted like an asshole so I could keep my edge on you. Ended up abusing even those I thought immune. I killed the kingdom with one move and now it's time to move." The self-reflection and general tone of pyhrric release-turned-rock star empowerment continues throughout much of the album with such muscular, sludge rock numbers as
"Mighty,"
and the fiery, ragingly melodic
"April Fool"
being particularly catchy and moving numbers. In that sense, the album brings to mind similar works by such artists as the
Queens of the Stone Age
,
Tool
, and, as on cuts like the new wave-esque
"Pensacola,"
a slightly more robust take on
Death Cab for Cutie
's yearning pop. Conceptual conceits aside,
is a fairly passionate and rocking affair filled with sprawling, if still tightly wound anthemic pop. ~ Matt Collar
's 2011 effort
Simple Math
is an epic, would-be concept album revolving around lead singer/songwriter
Andy Hull
's life to date. Which, essentially, consists of the time
Hull
-- in his twenties as the time of release -- has spent with his band, which he started in high school. It's clear from the melancholy lead-off track,
"Deer,"
that
is angry, depressed, and regretful over most everything in his life. He sings, "Dear everyone I ever really knew, I acted like an asshole so I could keep my edge on you. Ended up abusing even those I thought immune. I killed the kingdom with one move and now it's time to move." The self-reflection and general tone of pyhrric release-turned-rock star empowerment continues throughout much of the album with such muscular, sludge rock numbers as
"Mighty,"
and the fiery, ragingly melodic
"April Fool"
being particularly catchy and moving numbers. In that sense, the album brings to mind similar works by such artists as the
Queens of the Stone Age
,
Tool
, and, as on cuts like the new wave-esque
"Pensacola,"
a slightly more robust take on
Death Cab for Cutie
's yearning pop. Conceptual conceits aside,
is a fairly passionate and rocking affair filled with sprawling, if still tightly wound anthemic pop. ~ Matt Collar