In between
Violator
and
Songs of Faith and Devotion
, a lot happened:
Nirvana
rewrote the ideas of what "alternative" was supposed to be, while
Nine Inch Nails
hit the airwaves as the most clearly
Depeche
-influenced new hit band around. In the meantime, the band went through some high-profile arguing as
David Gahan
turned into a long-haired, leather-clad rocker and pushed for a more guitar-oriented sound. Yet the odd thing about
is that it sounds pretty much like a
Depeche Mode
album, only with some new sonic tricks courtesy of
Alan Wilder
and co-producer
Flood
. Perhaps even odder is the fact that it works incredibly well all the same.
"I Feel You,"
opening with a screech of feedback, works its live drums well, but when the heavy synth bass kicks in with the wailing backing vocals, even most rockers might find it hard to compete.
Martin Gore
's lyrical bent, as per the title, ponders relationships through distinctly religious imagery; while the gambit is hardly new, on songs like the centerpiece
"In Your Room,"
the combination of personal and spiritual love blends perfectly. Outside musicians appear for the first time, including female backing singers on a couple of tracks, most notably the
gospel
-flavored
"Condemnation"
and the uilleann pipes on
"Judas,"
providing a lovely intro to the underrated song (later covered by
Tricky
).
"Rush"
is the biggest misstep, a too obvious sign that
was a recording-session favorite to unwind to. But with other numbers such as
"Walking in My Shoes"
"The Mercy in You"
to recommend it,
continues the
winning streak. ~ Ned Raggett