Between the sublime mbira playing of and the mbira-like guitar lines of , there might not be a lot of room left for traditional Zimbabwean music on the world music circuits. Nonetheless, makes a valiant entry, combining more traditional mbira lines with older forms of accompaniment -- cascading vocal harmonies that verge on yodeling. When he gets into a good loop, 's full yodel moves into something of a Western, cowboy range. The music is mildly hypnotic, using repetition with non-repeating ornamentation to both lull listeners and keep them interested. The lyrics deal with themes of simple happiness and with modern poverty, generally not in the same song. A major highlight, though, is the piece that's entirely new, not based on a specific Shona melody -- is a tribute to mbira players past, specifically calling out and with an entirely improvised melodic line and a simplistic backing rhythm. The mbira can alternately entrance listeners with its exoticism and dull them with its simplicity, but on this album does a fine job of sticking more to the exotic side of affairs. ~ Adam Greenberg