Home
Speckly
Loading Inventory...
Barnes and Noble
Speckly
Current price: $12.99
Barnes and Noble
Speckly
Current price: $12.99
Loading Inventory...
Size: OS
*Product Information may vary - to confirm product availability, pricing, and additional information please contact Barnes and Noble
Speckly
is the CD reissue of
Shrimp Boat
's debut long-player issued on vinyl in 1989. It is chock-full of 14 songs that identify the notion of
improvisation
and outrageousness in a recording studio. Musical ideas are developed by each member of the band, more often than not on a slew of musical instruments from trumpet and saxophone to various stringed things to percussion and drums that try to keep the whole thing in line.
Country
music is played with counterpoint on
"Planter's Song,"
which opens the bag, followed by a jagged, off-kilter bit of
Americana
obnoxiousness called
"Seven Crows,"
which nonetheless lights up the listener's face with a smile because of killer guitar work by
Sam Prekop
. There is banjo poetry and
Tom Waits
-style percussion in a reading of the
Appalachian
ballad
"Shady Grove,"
while the shimmering low-key elegiac
pop
of
"Green Island"
is taken out of its nest by outre
jazz
saxophones but remains firmly in the
rock
camp -- though it's pushed out on the ledge. What this amounts to is a music of impure intention and poetry, completely rooted in the American sonic maelstrom. There are no limits because the only thing sought is song itself, free of its various tattered heritages and recontextualized, not for the sake of fitting a new niche in the belt of the
marketplace, and specifically not to be hemmed in or bolted to any rusty wall where openness of communication between musicians has produced dire seriousness as the end result. This is a glorious record -- it's wracked and wrecked; it stumbles, falls, and ultimately soars because of the joy inherent in its grooves. ~ Thom Jurek
is the CD reissue of
Shrimp Boat
's debut long-player issued on vinyl in 1989. It is chock-full of 14 songs that identify the notion of
improvisation
and outrageousness in a recording studio. Musical ideas are developed by each member of the band, more often than not on a slew of musical instruments from trumpet and saxophone to various stringed things to percussion and drums that try to keep the whole thing in line.
Country
music is played with counterpoint on
"Planter's Song,"
which opens the bag, followed by a jagged, off-kilter bit of
Americana
obnoxiousness called
"Seven Crows,"
which nonetheless lights up the listener's face with a smile because of killer guitar work by
Sam Prekop
. There is banjo poetry and
Tom Waits
-style percussion in a reading of the
Appalachian
ballad
"Shady Grove,"
while the shimmering low-key elegiac
pop
of
"Green Island"
is taken out of its nest by outre
jazz
saxophones but remains firmly in the
rock
camp -- though it's pushed out on the ledge. What this amounts to is a music of impure intention and poetry, completely rooted in the American sonic maelstrom. There are no limits because the only thing sought is song itself, free of its various tattered heritages and recontextualized, not for the sake of fitting a new niche in the belt of the
marketplace, and specifically not to be hemmed in or bolted to any rusty wall where openness of communication between musicians has produced dire seriousness as the end result. This is a glorious record -- it's wracked and wrecked; it stumbles, falls, and ultimately soars because of the joy inherent in its grooves. ~ Thom Jurek