Bringing together new and critically informed essays about one of the most controversial films ever made, this collection of writings examines the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, as well as the difficulties of adapting an invented language ("nadsat") for the screen. The volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of "nadsat" and reproductions of stills from the film.