Almost uniquely in the world of
stoner
rock
(and in
rock & roll
, period, for that matter)
Fu Manchu
have actually improved with age. While hardly altering their original, fuzzed-out, retro-minded formula, the So-Cal natives have gradually evolved --
first stood out simply as one of the first groups to do what it does, and now deservingly stands out as one of the best at what it does. The reason for this unusual development is also a simple one: songs.
always rocked hard, but they didn't really start writing consistently good songs until 1997's breakout
The Action Is Go
, and after achieving a possible career-best effort via 2001's
California Crossing
, the band is once again in nearly top form with 2005's long-awaited
Start the Machine
. Invariably tight, immediate, and groovy, pulsing sonic hot rods like
"Written in Stone,"
"Open Your Eyes,"
and
"I Wanna Be"
dominate an LP that was clearly meant to be heard on vinyl, not CD, and where no single track ever breaches the four-minute mark. As well as proving main man
Scott Hill
's innate facility at matching catchy riffs and hooks, these offerings suggest that the band's mid-career flirtations with
space rock
were probably instigated by then-drummer
Brant Bjork
(he of
Kyuss
fame). But that's not to say that
is a one-dimensional album, as, breaking out of the basic flow,
"I Can't Hear You"
is a brash, one-minute
punk
rocker,
"Make Them Believe"
"It's All the Same"
splice
AC/DC
's bluesy
boogie
with
Sabbath
's grinding power chords, and
"Out to Sea"
goes mellow and instrumental to act as an intermission. Bottom line,
know their strengths and, having found their songwriting legs for good in the 2000s, have no intentions of veering into realms that would let down their fans -- or themselves. ~ Eduardo Rivadavia