After spending 25 years recording solo and working as a first-call record producer, resurrected his to issue in 2010. It marked the beginning of a real return to chart success for : The band issued eight more albums, and seven of them landed inside the Top Ten on both the jazz and contemporary jazz charts. is his 30th album and a strident, star-studded exercise in sophisticated, swinging, progressive jazz-funk. The consists of the leader along with drummer and either longtime associate (who co-produced with ) or holding down the bass chair. 's crew is also filled with guests including guitarists and ( ), and saxophonists . The title-track single opens the set on a deep funk groover with syncopated groove horns courtesy of , breaking snares and hi-hats, and a wonky, rumbling bassline from . 's acoustic and Rhodes pianos weave through the swaggering backbeat in a manner that recalls the glory days of was part of the label's studio stable). "Altered State" is a midtempo, cinematic groover played by the trio with on six-string bass adding lyric components to the already pronounced melody supplied by 's tasty piano vamps. "New Mexico" returns to hard-grooving urban jazz-funk. Tight piano vamps and imaginative single lines frame a finger-popping riff by the rhythm section. As the choruses emerge, they are given heft by the horns and 's lead guitar, and the tune becomes an anthem by its close. "Hang Tight" is a lithe, nocturnal, almost quiet storm instrumental for the chill-out room. It contains excellent rhythm guitar work from (who also plays keys), buoying 's slow-developing, elegant solo. The lithe, sophisticated "Liberty" has a riff constructed entirely from electronics as 's Minimoog meets Rhodes and acoustic piano. He's framed by ' fluid bassline and (who adds another harmonic component on his six-string bass). "Keep On Moving" weds polished urban funk and 's sense of harmonic euphoria to a sultry, steamy, finger-popping dance groove. "Mindshare" is a showcase for 's Rhodes soloing atop punchy yet elegant jazz-funk. "Reception" and "Tail Lights" address the contemporary jazz vocabulary, adding color with hip charts as well as gorgeous alternate soloing from 's keyboards on the former meld Minimoog, piano, and Rhodes, effortlessly stacking and juxtaposing lyric and rhythmic statements. On the latter, his acoustic solo crosses blues, hard bop, and funk in a sweeping encounter with horns, drums, and guitars. presents the group at a creative peak, reveling in funky goodness and elevated grooves in a sophisticated presentation of 21st century jazz-funk. ~ Thom Jurek