. With its violent slashes of color and line, the painting seemed to pre-figure both the outbreak of World War I and, more eerily, Marc's own death in an artillery barrage at the Battle of Verdun three years later. With his signature blend of wide-ranging erudition and lively, accessible prose, Morgan Meis explores Marc's painting in depth, guided in part by a series of letters Marc wrote to his wife Maria while he was a soldier in the war. In those letters, Marc explores the nature of art, the fate of European civilization, and the inner spiritual nature of all life. Along the way, Meis brings in other artists such as D.H. Lawrence, Edgar Degas, and Paul Klee to flesh out his argument. also explores the darker undercurrents of German apocalyptic thinking in Marc's time, especially Norse mythology and the ancient Vedic texts as they influenced Schopenhauer, Nietzsche, and Heidegger. is the second volume of Meis's , the first volume of which, , examined a painting by Rubens. The third volume (forthcoming) will consider a painting by Joan Mitchell.