The Feast of the Broken Heart
and 2011's
Blue Songs
are more dissimilar than their titles indicate.
Andy Butler
retains writing and production partner
Mark Pistel
but otherwise refreshes his house syndicate with new collaborators and voices. Viennese production duo
Haze Factory
, who previously remixed
Butler
and
Shaun J. Wright
's "Forever More" and were a highlight of
's 2012
DJ-Kicks
set, are added to the mix. The lead vocalists -- a couple of whom crossed paths with
at
Hercules & Love Affair
shows -- are all new.
and his co-producers concoct a similarly lean album that could fit on one side of a 90-minute cassette, but the edges and moods are much sharper than those of
. There are fewer subtleties. The tough and mechanical "My Offence," the first proper song, begins with
Krystle Warren
pointedly asking, with elegant muscularity, "Are you talking to me? My name isn't 'girl'." Like the majority of what follows, it's an aggressive track that recalls early house music, as well as a fully developed song. Other cuts temper the smacking drums with finer details -- piano trills, string sweetening, and basslines that burble into play and then vanish. Two such songs are greatly enhanced with lead vocals from
John Grant
, whose presence might come as a shock for those who haven't heard the first couple tracks off his
Pale Green Ghosts
; the choice to involve him was as smart as seeking
Antony Hegarty
, another dance music outsider, for "Blind." On the trucking "I Try to Talk to You,"
Grant
is just above a purr, coolly offering "I could've taught you how to love yourself," while the slightly acidic "Liberty" reaches a peak when he belts "You can be free" out of pained resignation rather than encouragement.
Gustaph
Rouge Mary
also prove to be ideal foils for
, who still makes his songs tight, powerful, and optimally shaped. ~ Andy Kellman