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The Hustlers
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The Hustlers
Current price: $16.99
Barnes and Noble
The Hustlers
Current price: $16.99
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Undoubtedly
the Hustlers
were a talented quartet, and occasionally on this eponymous retrospective from
Gear Fab
that skill comes through reasonably clearly. Unfortunately, the fidelity of the first two-thirds of the recordings on the CD is so poor that the patience of even the most hardy '60s
garage
aficionados is likely to be tested. The problem materialized with the source tapes rather than with the consistently excellent specialty reissue label's attempts at mastering them for public consumption (though
is guilty of trying to stretch the available material too thinly). In a sense, it is a case of art imitating life -- an irrevocably marred legacy for a band whose recording efforts were consistently hindered by management in its day. Of the early rough cuts, passing marks go only to pre-band
"Bossa Nova Outer Space,"
a sort of sub-
Joe Meek
slice of extraterrestrial
instrumental rock
, on which the muddy sound actually suits the song's otherworldly aim. The rest -- gutsy
approximations of beat music and
the Byrds
(including an interesting acoustic take on
"Eight Miles High"
) with hints of emergent
psychedelia
-- certainly shows ample promise, but it feels as if you're forced to listen to the music as it bleeds through the walls of a neighboring room. Luckily, things pick up considerably with the loping fuzz-
punker
"If You Try"
(there are two earlier alternate versions presented as well), a sizable regional hit, and
"My Mind's Made Up,"
the latter strong enough to find its way onto the second Florida volume of
's
Psychedelic Crown Jewels
compilation series. They comprised both sides of the combo's sole 1966 single. These songs show
to have been a tough, outstanding
folk-rock
outfit, wearing its
Fifth Dimension
-era
Byrds
influences on its sleeve, but -- as the stunning,
raga-esque
"Destination Nowhere,"
a lost classic, proves -- wearing it exceptionally well. If you're willing to wade through the hiss, terribly uneven levels, and ham-fisted edits of the early demos, those three songs alone should be worth the cost of the CD for most
heads. ~ Stanton Swihart
the Hustlers
were a talented quartet, and occasionally on this eponymous retrospective from
Gear Fab
that skill comes through reasonably clearly. Unfortunately, the fidelity of the first two-thirds of the recordings on the CD is so poor that the patience of even the most hardy '60s
garage
aficionados is likely to be tested. The problem materialized with the source tapes rather than with the consistently excellent specialty reissue label's attempts at mastering them for public consumption (though
is guilty of trying to stretch the available material too thinly). In a sense, it is a case of art imitating life -- an irrevocably marred legacy for a band whose recording efforts were consistently hindered by management in its day. Of the early rough cuts, passing marks go only to pre-band
"Bossa Nova Outer Space,"
a sort of sub-
Joe Meek
slice of extraterrestrial
instrumental rock
, on which the muddy sound actually suits the song's otherworldly aim. The rest -- gutsy
approximations of beat music and
the Byrds
(including an interesting acoustic take on
"Eight Miles High"
) with hints of emergent
psychedelia
-- certainly shows ample promise, but it feels as if you're forced to listen to the music as it bleeds through the walls of a neighboring room. Luckily, things pick up considerably with the loping fuzz-
punker
"If You Try"
(there are two earlier alternate versions presented as well), a sizable regional hit, and
"My Mind's Made Up,"
the latter strong enough to find its way onto the second Florida volume of
's
Psychedelic Crown Jewels
compilation series. They comprised both sides of the combo's sole 1966 single. These songs show
to have been a tough, outstanding
folk-rock
outfit, wearing its
Fifth Dimension
-era
Byrds
influences on its sleeve, but -- as the stunning,
raga-esque
"Destination Nowhere,"
a lost classic, proves -- wearing it exceptionally well. If you're willing to wade through the hiss, terribly uneven levels, and ham-fisted edits of the early demos, those three songs alone should be worth the cost of the CD for most
heads. ~ Stanton Swihart