"One who searches for what is not lost is a fool: " ! The book "THE LOST DUTCHMAN MINE and PEG LEG PETE MINE" may lead one to the forgoing conclusion in regards to the Lost Dutchman Mine. However, after over five years of research and writing this writer can state that his conclusions are not fact nor fiction, just supposition. However, the book is designed to allow the reader to answer the forgoing questions about fact or fiction about the Lost Dutchman Mine. In regards to the Peg Leg Pete Mine (a supposition essay) the reader is allowed to answer the question about factor fiction for themselves. This writer's first journey into the past began when he wrote "THE EL MONTE PARK HISTORY" when he was working at El Monte Park (Lakeside, California). as a Park Ranger After, thirteen months of research and writing the completed work (THE EL MONTE PARK HISTORY) contained twelve pages. Years later in an abandoned pump house (8'x16') located in El Monte Park; Artist/Muralist Mona and Ranger Harold Cohn created the "THE EL MONTE OAKS MUSEUM" by Mona Mills, Artist/ Muralist painting murals on the interior walls of the abandoned pump based on the book "the EL MONTE PARK HISTORY".. I addition the second article this write saw published was titled: 'THE GOLDEN ONION" which appeared un the November/December issue of "GOLD PROSPECTOR MAGAZINE". Years later, Ranger Cohn took a one day course offered by Cuyamaca College, El Cajon, California titled: "INDIANS of the Desert". The course was a driving/walking tour of ancient Native American site in the Anza-Borrego Stte Park (California). Lowell and Diana Lindsay of Sunbelt Books were the instructors. it was during this tour this writer saw his first pictograph (example of Native American rock art). Diana Lindsay was giving a supposition explanation of the pictograph to the group (30-35) people. The pictograph measured *'8x12". First she said the meaning of the pictograph could be spiritual. Next she stated the picto