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The Lost Films Fanzine #1: (Color Edition/Variant Cover C)
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Barnes and Noble
The Lost Films Fanzine #1: (Color Edition/Variant Cover C)
Current price: $9.99
Barnes and Noble
The Lost Films Fanzine #1: (Color Edition/Variant Cover C)
Current price: $9.99
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Size: OS
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The Lost Films Fanzine
is a quarterly digest magazine devoted solely to un-produced scripts, lost films, and rare movies. In this issue:
Explore the lost Italian cut of
Legend of Dinosaurs and Monster Birds
, renamed
Terremoto 10 Grado
! Marvel at the
King Kong
remake that morphed into a Volkswagen commercial! Ponder what could have been if Merian C. Cooper could have shot
She
and
The Last Days of Pompeii
in color like he intended. Get educated on Bollywood's almost uncompleted
Jaws
rip-off,
Aatank
, which began shooting in the 1980s but wasn't finished and released until 1996! Mourn the unmade sequel to
The Abominable Dr. Phibes
which then became an unmade sequel to
Dr. Phibes Rises Again
! Also, learn where you can watch the secret lost 1967 Godzilla short film made by Toho! This issue also includes an in-depth look at the best fan-made Godzilla trailers on YouTube, plus an interview with one the editors, Scott David Lister.
is a quarterly digest magazine devoted solely to un-produced scripts, lost films, and rare movies. In this issue:
Explore the lost Italian cut of
Legend of Dinosaurs and Monster Birds
, renamed
Terremoto 10 Grado
! Marvel at the
King Kong
remake that morphed into a Volkswagen commercial! Ponder what could have been if Merian C. Cooper could have shot
She
and
The Last Days of Pompeii
in color like he intended. Get educated on Bollywood's almost uncompleted
Jaws
rip-off,
Aatank
, which began shooting in the 1980s but wasn't finished and released until 1996! Mourn the unmade sequel to
The Abominable Dr. Phibes
which then became an unmade sequel to
Dr. Phibes Rises Again
! Also, learn where you can watch the secret lost 1967 Godzilla short film made by Toho! This issue also includes an in-depth look at the best fan-made Godzilla trailers on YouTube, plus an interview with one the editors, Scott David Lister.
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