With its laser-focus on the verbal and visual infrastructure of narrative,
The Metanarrative Hall of Mirrors
is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from
Citizen Kane
through
Apocalypse Now
to
Blade Runner 2049
, then on to Christopher Nolan's 2020
Tenet
, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers-including the latter's eerie mirroring of reader empathy in his 2021
Bewilderment.