The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT133638The second part has a separate titlepage, pagination and register. The dedication is engraved. With a final index leaf with errata on its verso. The E copy is bound in two vols., one for letterpress and the second for plates; this second vol. has extra London: printed for the author, by R. Francklin; and sold by T. Payne; Messieurs Knapton and Horsefield; Messieurs Dodsley; T. Longman; T. Davies; and J. Gretton, 1761. [6],82;[2], ii,60, [2]p., plates; 1°