Maybe
John Cooper Clarke
's brief window of fame passed with the demise of
punk
. But his poems are every bit as arch and funny now as they were in the '70s. There are sly wordplay, groaning puns, and also plenty of strong social observation. He essentially took the ethos of the Liverpool poets of the '60s, using common language and bringing in lots of humor, but made his mark through speech, not print. This collection, cherry-picked from his major-label work, is an absolute joy. Backed by the relatively all-star
Invisible Girls
(which included
Pete Shelley
of
the Buzzcocks
), the Bard of Salford deadpans his way through the epic
"Psycle Sluts (Parts 1 & 2),"
"The Day My Pad Went Mad,"
and the piece that really gave him his first big exposure,
"I Married a Monster From Outer Space."
But in
"Beasley Street"
and
"Postwar Glamour Girls"
there's a more serious undercurrent happening, while
"Kung Fu International,"
for all its lightheartedness, shows that little has changed in English street violence, and
"Twat"
remains as deliberately outrageous and hilarious as it was on its initial release. Culled from the four albums
Cooper Clarke
did for
Epic
, it shows that what was good then is still good. The world needs a
for the new millennium. ~ Chris Nickson