Into the third year of utilizing late-'20s superstars trumpeter
Lee Morgan
and tenor saxophonist
Wayne Shorter
on the front line,
Art Blakey's Jazz Messengers
were showing a progressive compositional stance, mostly due to the emerging creativity of
Shorter
's sharply off-minor ideas. Pianist
Bobby Timmons
, a peer of the front liners, is swimming somewhere in the middle of this stylistic lake, exhibiting soulful backstrokes, straight-ahead sprinting, and the angular chordal complexities or sudden changes any potpourri of modernities might offer. Faithful bassist
Jymie Merritt
, no young pup at the time (seven years
Blakey
's junior) is solid, unspectacular, and right where this band of stars needed him to be. Writing chores continue to be split evenly between the horn players, but
's pieces are distinct with a difference.
"Those Who Sit and Wait"
is a classic hard bop line with opposing non-sequitur melody/harmony cross sections, while
"Joelle"
sports two piano chords from
Timmons
leading to unusual phrasings, but still in a hard bop stance.
Morgan
contributes the title track and an alternate take with its typical and reliable hard bop shuffle buoying quirky horn and piano exchanges, and the spectacular
"Afrique"
with a 6/8 modal, choppy clave Latin beat merging to easy swing from the heavy tenor of
-- the best of three worlds.
contributes
"A Little Busy"
which is not far removed from the soul-jazz he is known for, a fun and funky groove biscuit where the pianist is truly in his element.
"Lost & Found,"
penned by
Clifford Jordan
, showcases the straight-ahead signature sound the
Jazz Messengers
mined for decades -- upbeat, happy and tight. Whether this was or was not the pinnacle for this great band is still up for debate, but it assuredly ranks with
's personal best aside from the popular album
Moanin'
of the same time frame. ~ Michael G. Nastos