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Thee Hounds of Foggy Notion
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Barnes and Noble
Thee Hounds of Foggy Notion
Current price: $16.99


Barnes and Noble
Thee Hounds of Foggy Notion
Current price: $16.99
Loading Inventory...
Size: OS
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Thee Hounds of Foggy Notion
is the soundtrack to a series of live recordings
Thee Oh Sees
made around the San Francisco area in 2007; not on stages but in non-traditional performance spaces like the side of a busy highway, in the forest, and on the beach. The songs were meant to be recorded by a tape recorder, but it proved bulky and the sound was instead captured through one microphone wielded by the camera person. The band is
John Dwyer
on guitar and vocals,
Brigid Dawson
on harmony vocals,
Toby Dammit
on guitar, and
Patrick Mullins
on drums, playing quietly and powered by a generator. The record/DVD was recorded just as the band began to shift from the lo-fi freak folk of the
OCS
and early days of
to a more powerful and wildly electric sound; this collection of performances works as a sort of summing up of that scrappy psych folk sound before they fully transitioned. It's stripped down and haunted with a little bit of rumbling garage rock noise on the rockers and there's a fragile, almost tender approach on the ballads -- especially the painfully lovely "Golden Phones," which features some fine saw playing by
Mullins
. The band sound locked into each other, playing with restraint but also with fuzzy passion.
Dawson
in particular adds a great deal to the mix; her vocals mesh perfectly with
Dwyer
's and create a spooky sweet sound. The songs are mostly taken from previous albums, though a few are new and a couple -- "Ghost in the Trees" and "Block of Ice" -- ended up on 2008's
Master's Bedroom Is Worth Spending a Night In
with full-band arrangements.
is the best kind of live album. It documents an era of the band in fine fashion, but also presents their songs in a new and interesting way. ~ Tim Sendra
is the soundtrack to a series of live recordings
Thee Oh Sees
made around the San Francisco area in 2007; not on stages but in non-traditional performance spaces like the side of a busy highway, in the forest, and on the beach. The songs were meant to be recorded by a tape recorder, but it proved bulky and the sound was instead captured through one microphone wielded by the camera person. The band is
John Dwyer
on guitar and vocals,
Brigid Dawson
on harmony vocals,
Toby Dammit
on guitar, and
Patrick Mullins
on drums, playing quietly and powered by a generator. The record/DVD was recorded just as the band began to shift from the lo-fi freak folk of the
OCS
and early days of
to a more powerful and wildly electric sound; this collection of performances works as a sort of summing up of that scrappy psych folk sound before they fully transitioned. It's stripped down and haunted with a little bit of rumbling garage rock noise on the rockers and there's a fragile, almost tender approach on the ballads -- especially the painfully lovely "Golden Phones," which features some fine saw playing by
Mullins
. The band sound locked into each other, playing with restraint but also with fuzzy passion.
Dawson
in particular adds a great deal to the mix; her vocals mesh perfectly with
Dwyer
's and create a spooky sweet sound. The songs are mostly taken from previous albums, though a few are new and a couple -- "Ghost in the Trees" and "Block of Ice" -- ended up on 2008's
Master's Bedroom Is Worth Spending a Night In
with full-band arrangements.
is the best kind of live album. It documents an era of the band in fine fashion, but also presents their songs in a new and interesting way. ~ Tim Sendra