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There's No Going Back Now
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There's No Going Back Now
Current price: $20.99
Barnes and Noble
There's No Going Back Now
Current price: $20.99
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Both
Keith Tippett
and
Paul Dunmall
have extensive discographies, with tons of projects, some of them longstanding. And yet, the one ensemble that stands out for both of them is
Mujician
and their handful of releases -- well, a bit more than a handful, now that
There's No Going Back Now
can be added to the pile, four years after
Spacetime
. This single 45-minute
improvisation
was recorded on June 12, 2005, with all usual suspects in top shape. The piano may be a bit less assertive than usual, but that has no impact on the group's drive. On the contrary,
sounds more urgent, vital, and frantic than
's previous two releases on
Cuneiform
. On this particular set,
Dunmall
is the key player, his tenor sax pushing the other three forward. Of course, this being
, the music is collectively shared and the quartet adds to more than its constituents combined: drummer
Tony Levin
matches
's intensity every inch of the way, while
Paul Rogers
rivals the saxman in lyricism.
Tippett
's piano is the cement of the group, providing cohesion and purpose. Obviously, these guys are keen on releasing only their very best performances, since they don't have a single weak album.
is just as recommendable as its older siblings, although if you don't relish the idea of a single extended piece, you might want to start with the more generously indexed
or the four-part
Colours Fulfilled
-- although, down the line, it is only a matter of perception, since the music still unfolds in one continuous motion. ~ Francois Couture
Keith Tippett
and
Paul Dunmall
have extensive discographies, with tons of projects, some of them longstanding. And yet, the one ensemble that stands out for both of them is
Mujician
and their handful of releases -- well, a bit more than a handful, now that
There's No Going Back Now
can be added to the pile, four years after
Spacetime
. This single 45-minute
improvisation
was recorded on June 12, 2005, with all usual suspects in top shape. The piano may be a bit less assertive than usual, but that has no impact on the group's drive. On the contrary,
sounds more urgent, vital, and frantic than
's previous two releases on
Cuneiform
. On this particular set,
Dunmall
is the key player, his tenor sax pushing the other three forward. Of course, this being
, the music is collectively shared and the quartet adds to more than its constituents combined: drummer
Tony Levin
matches
's intensity every inch of the way, while
Paul Rogers
rivals the saxman in lyricism.
Tippett
's piano is the cement of the group, providing cohesion and purpose. Obviously, these guys are keen on releasing only their very best performances, since they don't have a single weak album.
is just as recommendable as its older siblings, although if you don't relish the idea of a single extended piece, you might want to start with the more generously indexed
or the four-part
Colours Fulfilled
-- although, down the line, it is only a matter of perception, since the music still unfolds in one continuous motion. ~ Francois Couture