's debut album is a powerful one, unleashing each member's instrumental prowess at one point while consolidating each talent to form an explosive outpouring of progressive jazz-rock the next. is coated with the volatile saxophone playing of , the thunderous keyboard assault of , and the bewildering guitar craft of . Together, skitters and glides through brisk musical spectrums of freestyle ]jazz and British blues, sometimes held tightly in place by 's Hammond organ, while other times let loose by the brilliancy of the horn and string interplay. Each song sparks its own personality and its very own energy level, giving the band instant attention upon the album's release in 1969. Not only did sound different from other jazz fusion bands of the era, but they could easily take the unconventional elements of their style and churn them into palatable and highly significant musical thoroughfares. Some of the more compelling tracks include "Walking in the Park," led by its powerful trumpet segments, and "Pretty Hard Luck," which embarks on a stylish blues excursion with colorful keyboard sections on the periphery. "Beware the Ides of March" borrows a page out of 's notebook and turns his classical poignancy inside out, while "Mandarin" and "Backwater Blues" are created with the perfect jazz and blues friendship in mind, representing 's fused sound spotlessly. Best of all, the album never strays from its intensity or its creativity, the very foundation that the band is built on. Their next album, , mirrors the same instrumental congruity as , and is equally entertaining. ~ Mike DeGagne