Following in the mighty footsteps of
Orange Juice
and
Aztec Camera
, fellow Scots
Friends Again
looked to combine the grandeur of
Bowie
-style rock, the jingle jangle of folk-rock, and the bouncing rhythms of funk and disco. Unlike those bands, their career ended almost before it started and their one album,
Trapped and Unwrapped
, wasn't released until after they split up. It's a lovely slice of sophisticated pop that definitely deserves its status as something of a lost classic. Far slicker than
and less poetic than
, the band have a more commercial and smoothed-down sound. The production on the album is full and rich, featuring skillfully layered keyboards, twanging guitars, nimble bass lines, and even strings arranged by the legendary
Paul Buckmaster
. Add expressive
-influenced vocalist
Chris Thomson
and the result is closer to the lush sound of new romantic bands like
ABC
or the peppy feel of new wave than it is to gloomy post-punk. "Swallows in the Rain" has the same loping, cinematic feel of "Look of Love," "Sunkissed" delivers
Haircut 100
-style snappy horns and giddy background, and the lilting "South of Love" sounds like an up-tempo
Culture Club
if one squints in just the right way. There are some songs that do come across like a cleaned-up
OJ
-- the rollicking "Lullaby No.2" and for sure "Lucky Star" -- but the band sound too impassioned, dramatic, and hooky to come across as mere imitators.
is top-shelf guitar pop made with precision and heart; it's a more fully formed LP than anything their contemporaries managed to put together, and it gave the bands that followed in their wake -- like
Lloyd Cole and the Commotions
, for one -- a very high bar to try and climb over.
may have flamed out too soon, but the album they left behind is a timeless guitar pop classic. ~ Tim Sendra