“David Henry Hwang is a true original. A native of Los Angeles, born to immigrant parents, he has one foot on each side of a cultural divide. He knows America - its vernacular, its social landscape, its theatrical traditions. He knows the same about China. In his plays, he manages to mix both of these conflicting cultures until he arrives at a style that is wholly his own. Mr. Hwang's works have the verve of well-made American comedies and yet, with little warning, they can bubble over into the mystical rituals of Oriental stagecraft. By at once bringing West and East into conflict and unity, this playwright has found the perfect means to dramatize both the pain and humor of the immigrant experience.” –Frank Rich, Throughout his career, David Henry Hwang has explored the complexities of forging Eastern and Western cultures in a contemporary America. Over the past twenty years, his extraordinary body of work has been marked by a deep desire to reaffirm the common humanity in all of us. This volume collects a generous selection of Mr. Hwang’s plays, including , , and . is an OBIE Award-winning play that explores the contrasting experiences, attitudes, and conflicts of established Asian Americans and fresh-off-the-boat (FOB) Asian immigrants. One of David Henry Hwang’s earliest plays, has been called “a theatrically provocative combination of realism and fantasy… A sensitive, insightful, and multilevel play” ( ). In , two Chinese workers on the Transcontinental Railroad struggle through poverty and hunger to reconnect with the traditions of their homeland. “An evocative portrait of the immigrant experience,” is set in 1867 during a strike in an Asian labor camp ( takes a different look at the clash between East and West through the perspective of a Chinese American family living in a Los Angeles suburb. The calls “a funny and compassionate piece of writing.” is the original story of a lone samurai warrior and his encounter with a rumored witch in the woods. Inspired by Japanese folk stories and Noh theatre, this play of desperation and desire is about “timeless human emotion, a subject made all the more powerful by dialogue that rings with the power and rhythm of poetry” ( , an elderly man visits a unique brothel filled with sleeping virgins, where customers are only permitted to sleep in a shared bed. Based on Hwang’s exploration of how the novelist Yasunari Kawabata was affected by his own stories, this play is “an earnest, considered experiment furthering an exceptional young writer's process of growth” ( Hwang’s libretto for was written in collaboration with composer Phillip Glass for the Metropolitan Opera’s 500th year celebration of Columbus Day. Instead of focusing on Christopher Columbus, however, the three act opera is a more general exploration of time, space, and possibility. An encounter in an S&M parlor between a man and woman in full bodysuits sets the scene for , where their role play becomes “an exploration of race, love and politics in the weirdest possible contortions” ( , an exploration of racial identity and appearance, revolves around the interaction between an Asian street musician and a Caucasian man who claims Asian American heritage.