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Unforgettable: With Love [B&N Exclusive] [Pearl White Vinyl]
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Unforgettable: With Love [B&N Exclusive] [Pearl White Vinyl]
Current price: $17.99
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Barnes and Noble
Unforgettable: With Love [B&N Exclusive] [Pearl White Vinyl]
Current price: $17.99
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Size: CD
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A major change of direction for
Natalie Cole
,
Unforgettable
found the singer abandoning the type of
R&B
/
pop
she'd been recording since 1975 in favor of
jazz
-influenced pre-
rock
along the lines of
Nat King Cole
's music. It was a surprising risk that paid off handsomely -- both commercially and artistically. Naysayers who thought that so radical a change would be commercial suicide were proven wrong when the outstanding
sold a shocking five million units. Quite clearly, this was an album
Cole
was dying to make. Paying tribute to her late father on
"Mona Lisa,"
"Nature Boy,"
"Route 66,"
and other gems that had been major hits for him in the 1940s and early '50s, the 41-year-old
sounds more inspired than she had in well over a decade. On the title song, overdubbing was used to make it sound as though she were singing a duet with her father -- dishonest perhaps, but certainly enjoyable. Thankfully,
standards
and pre-
turned out to be a primary direction for
, who was a baby when the title song became a hit for her father in 1951. ~ Alex Henderson
Natalie Cole
,
Unforgettable
found the singer abandoning the type of
R&B
/
pop
she'd been recording since 1975 in favor of
jazz
-influenced pre-
rock
along the lines of
Nat King Cole
's music. It was a surprising risk that paid off handsomely -- both commercially and artistically. Naysayers who thought that so radical a change would be commercial suicide were proven wrong when the outstanding
sold a shocking five million units. Quite clearly, this was an album
Cole
was dying to make. Paying tribute to her late father on
"Mona Lisa,"
"Nature Boy,"
"Route 66,"
and other gems that had been major hits for him in the 1940s and early '50s, the 41-year-old
sounds more inspired than she had in well over a decade. On the title song, overdubbing was used to make it sound as though she were singing a duet with her father -- dishonest perhaps, but certainly enjoyable. Thankfully,
standards
and pre-
turned out to be a primary direction for
, who was a baby when the title song became a hit for her father in 1951. ~ Alex Henderson