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Van Halen II [Remastered] [LP]
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Barnes and Noble
Van Halen II [Remastered] [LP]
Current price: $9.09
Barnes and Noble
Van Halen II [Remastered] [LP]
Current price: $9.09
Loading Inventory...
Size: CD
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It's called
Van Halen II
not just because it's the band's second album but because it's virtually a carbon copy of their 1978 debut, right down to how the band showcases their prowess via covers and how
Eddie Van Halen
gets a brief, shining moment to showcase his guitar genius. This time, he does his thing on acoustic guitars on the remarkable
"Spanish Fly,"
but that temporary shift from electrics to acoustics is the only true notable difference in attack here; in every other way,
feels like its predecessor, even if there are subtle differences. First, there's only one cover this time around --
Betty Everett
's
"You're No Good,"
surely learned from
Linda Ronstadt
-- and this feels both heavier and lighter than the debut. Heavier in that this sounds big and powerful, driven by mastodon riffs that aim straight of the gut. Lighter in that there's a nimbleness to the attack, in that there are
pop
hooks to the best songs, in that the group sounds emboldened by their success so they're swaggering with a confidence that's alluring. If the classic ratio is slightly lighter than on the debut, there are no bad songs and the best moments here -- two bona fide party anthems in
"Dance the Night Away"
and
"Beautiful Girls,"
songs that embody everything the band was about -- are lighter, funnier than anything on the debut, showcases for both
Diamond Dave
's knowing shuck and jive and
Eddie
's phenomenal gift, so natural it seems to just flow out of him. At this point, it's hard not to marvel at these two frontmen, and hard not to be sucked into the vortex of some of the grandest
hard rock
ever made. ~ Stephen Thomas Erlewine
Van Halen II
not just because it's the band's second album but because it's virtually a carbon copy of their 1978 debut, right down to how the band showcases their prowess via covers and how
Eddie Van Halen
gets a brief, shining moment to showcase his guitar genius. This time, he does his thing on acoustic guitars on the remarkable
"Spanish Fly,"
but that temporary shift from electrics to acoustics is the only true notable difference in attack here; in every other way,
feels like its predecessor, even if there are subtle differences. First, there's only one cover this time around --
Betty Everett
's
"You're No Good,"
surely learned from
Linda Ronstadt
-- and this feels both heavier and lighter than the debut. Heavier in that this sounds big and powerful, driven by mastodon riffs that aim straight of the gut. Lighter in that there's a nimbleness to the attack, in that there are
pop
hooks to the best songs, in that the group sounds emboldened by their success so they're swaggering with a confidence that's alluring. If the classic ratio is slightly lighter than on the debut, there are no bad songs and the best moments here -- two bona fide party anthems in
"Dance the Night Away"
and
"Beautiful Girls,"
songs that embody everything the band was about -- are lighter, funnier than anything on the debut, showcases for both
Diamond Dave
's knowing shuck and jive and
Eddie
's phenomenal gift, so natural it seems to just flow out of him. At this point, it's hard not to marvel at these two frontmen, and hard not to be sucked into the vortex of some of the grandest
hard rock
ever made. ~ Stephen Thomas Erlewine