Three albums in the novelty has worn off, but
Dengue Fever
has smartly chosen to keep evolving. While that means their unquestionably unique offering no longer startles, it's no less riveting --
Venus on Earth
is at once the band's most accessible and most varied release. A recap: when first heard from in 2003 on their self-titled debut,
was like no other band, a bunch of L.A. hipsters fronted by a Cambodian-born woman,
Chhom Nimol
, who paid homage to that Asian nation's pre-Pol Pot cheesy
psychedelic
-cum-
lounge
-
surf
garage pop
sound of the '60s/early '70s, music obscure enough that only a tiny handful of Americans could honestly claim to have known the first thing about it -- certainly, the source material spun outside of the orbit of the so-called core world music audience. By the second album, 2005's
Escape from Dragon House
,
had tossed in a few more disparate elements, and with
Nimol
's high-range vocals riding atop this internationalist admixture and a basic
alt-rock
sensibility as a guiding force (minus the faux
attitude),
attracted an audience and garnered critical praise. For
, the mainstream beckons, or comes as close to beckoning as it's ever going to for a band as non-mainstream as
.
's vocals are as beguiling as ever,
Ethan Holtzman
's Farfisa organ still swirls,
Zac Holtzman
's guitars still chime and chunk, and
Paul Dreux Smith
's drums clang happily along. With horns provided by
David Ralicke
and bass from
Senon Gaius Williams
has softened some of the rougher edges, injected some serious soul, and added more swing to their thing.
"Oceans of Venus"
could be an outtake from the first
B-52's
album,
"Clipped Wings"
a lost
Blondie
tune, and
"Woman in the Shoes"
is just one of the most cuddly
pop
songs in ages. The groovelicious
duet
"Tiger Phone Card,"
a tale of a long distance Phnom Penh-NYC romance, is the
smash
Yoko Ono
might have had in an alternate universe. Drenched in reverb, soaked in sweat, marinated in some phantom historical moment yet tethered to the now,
is more innovative and resourceful than 99-percent of the bands that receive 99 times the publicity. ~ Jeff Tamarkin