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Barnes and Noble

Vern & Ray with Herb Pedersen: San Francisco 1968

Current price: $13.99
Vern & Ray with Herb Pedersen: San Francisco 1968
Vern & Ray with Herb Pedersen: San Francisco 1968

Barnes and Noble

Vern & Ray with Herb Pedersen: San Francisco 1968

Current price: $13.99
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Vern Williams
and
Ray Park
were in the vanguard of the newly emerging
bluegrass
scene in the '60s, and although they were well respected within the
community, they were little known outside of it. They recorded a highly coveted four-song EP for
Starday Records
in 1962, as well as a scattering of other tracks that were later collected on the LP
Sounds of the Ozarks
, but the duo's studio output was minimal, which is part of what makes this pleasant live set from 1968 such a delight.
Vern & Ray with Herb Pedersen: San Francisco 1968
, recorded at San Francisco State College as part of the annual
San Francisco Folk Festival
, includes a young
Herb Pedersen
(banjo) and
Howard Courtney
(acoustic bass) joining
Williams
(mandolin) and
Park
(guitar and fiddle), and features a fluid
ensemble moving through an interesting set of genre standards. Although
were both from Arkansas, they didn't actually meet until they found themselves living in Stockton, CA, which was hardly the
center of the universe, then or now. Like will eventually find like, however, and when
Pedersen
joined the pair, the trio began to feature some wonderful three-part Ozark harmonies in their shows.
Bluegrass
hadn't yet codified in the public's consciousness, and "Vern & Ray" (as they were usually billed) weren't as fuel-injected as some of today's combos get, and their set featured several selections that were just barely over the line from the genre's
old-timey
string band
roots, but the pair's easygoing stage presence and visible love for the music, not to mention their considerable -- but not deliberately flashy -- chops, made them a popular festival act. Among the highlights of this well-paced, 37-minute set are
's
"How Many Times,"
the fast
waltz
"Sweet Fern,"
the half-
, half-
feel of their take on the murder
ballad
"Poor Ellen Smith,"
and an interesting version of the
national anthem,
"Orange Blossom Special"
that surges, fades, and wheezes eerily in all the right spots. Except for the occasional reunion show,
parted ways in 1974, but this well-recorded concert is testimony to the graceful music they were making during their run together. ~ Steve Leggett

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