When recorded and released this first of his series of albums, he was 44 years old, and ready to reclaim his crown as king of jazz guitar after years of heroin abuse. As a solo artist playing only acoustic guitar in an amplified fusion era, the odds were stacked against him, but boldly issued this, his most creative and improvisation-based work, to mass critical acclaim and widespread general public sales. The genius of was that he was easily able to retain melodic lines of these standards while adding stretched-out, extrapolated thoughts on the top and bottom of the melodies. On every track, with each passing phrase, modified and extended line or poetic thought, proves his unique style is better than all the rest. On the marvelous classical-flavored with no small influence of , faster than the pounding precipitation and pain of or purely improvised is at the top of his game. He occasionally concentrates more on the melody for the pensive or the fleet but meets any challenge during a masterful remake of There can be no doubt as to the essential nature of this incredible recording, a top five item for any jazz guitarist, one of the great modern-day contemporary albums, and essential listening for any serious music lover -- a must have item. ~ Michael G. Nastos