Like so much of the
On-U Sound
catalog, the latest release from
Bonjo Iyabinghi Noah'
s
African Head Charge
is a slab of sheer musical brilliance with origins shrouded in clouds of moderate-to-severe corporate chaos. Though it bears the copyright date 2005, it does not appear to have been commercially released until 2010, for example. And anyone familiar with the
On-U
stable of musicians will notice that the only thing making this an
album rather than a
Tackhead
or
Strange Parcels
(or, for that matter, a
Sugarhill Gang
) album is the presence of
Noah
himself -- but then again, that presence is what makes all the difference. Unlike other deeply weird reggae bandleaders (like
Lee "Scratch" Perry
, for example),
seems both cheerfully good-hearted and sonically retiring; the focus of his compositions is rarely his own voice, but rather the field recordings of African and Asian singers that he gathers from heaven knows where. From these he gleans the sweetest and/or eeriest passages he can find and then constructs ground-shaking grooves around them with the help of studio hands
Doug Wimbish
,
Skip McDonald
, and
Keith LeBlanc
(among others); the resulting sound sculptures are whipped into a dubwise frenzy by label head and modern dubmaster
Adrian Sherwood
. Up until now, the most richly moving
album was 1990's stunning
Songs of Praise
, but
Vision of a Psychedelic Africa
gives that one a run for its money:
"The Big Country"
opens the program with an exposition on the distilled essence of
's musical conception, with eerily beautiful field recordings, an elephantine reggae groove, and
Sherwood
's patented production craziness.
"Surfari"
features a slow rocker's beat under slightly goofy spaghetti western guitar;
"Drumming Is a Language"
consists of creepy monster sounds, funky guitar, and a cheerful disquisition on the art of drumming;
"Mr. Whippy Does Djibouti"
and the utterly gorgeous
"Ready You Ready"
are simply drop-dead beautiful, all of
's favorite musical and cultural elements coming together to create a completely unique and transcendently lovely sound. Start with
, then skip to this one, then start working your way back through the catalog to experience the complete wonder of
Noah'
s unique musical worldview. ~ Rick Anderson