Home
We Started Nothing
Loading Inventory...
Barnes and Noble
We Started Nothing
Current price: $36.99
Barnes and Noble
We Started Nothing
Current price: $36.99
Loading Inventory...
Size: OS
*Product Information may vary - to confirm product availability, pricing, and additional information please contact Barnes and Noble
On
the Ting Tings
' debut album,
We Started Nothing
, the duo's new wave-worshiping mix of dance and indie pop -- which grafts chugging guitar and bashed drums onto looping structures and proudly plastic keyboards -- is polished, but far from polite. Singer/guitarist
Katie White
's snotty, singsong vocal delivery and flat rhymes are part cheerleader, part playground chant, and a tiny bit of punk snarl;
"That's Not My Name,"
on which
White
sneers "Are you calling me darling? Are you calling me bird?," even sounds a little like riot grrrl sloganeering filtered through a decade's worth of pop. Even when
sings more melodically, as on
"Traffic Light"
and
"We Walk,"
the energy, attitude, and repetition can be grating, even if you're tapping your foot to the songs. However,
manage to stay on the catchy side with
"Fruit Machine,"
a
Lily Allen-ish
bit of cheeky bordering on vindictive pop, and on
"Keep Your Head"
"Be the One,"
which tone down
' energy to more manageable but still lively levels.
"Great DJ"
"Shut Up and Let Me Go"
(which sounds like a
Yeah Yeah Yeahs
parody/tribute) are also standouts, and it's no surprise they've been used in commercials -- they're so short and memorable, they feel like jingles waiting for products to endorse. Since they've got a real knack for writing songs that stick in your head whether you want them to or not,
' songs are fun in very small doses. ~ Heather Phares
the Ting Tings
' debut album,
We Started Nothing
, the duo's new wave-worshiping mix of dance and indie pop -- which grafts chugging guitar and bashed drums onto looping structures and proudly plastic keyboards -- is polished, but far from polite. Singer/guitarist
Katie White
's snotty, singsong vocal delivery and flat rhymes are part cheerleader, part playground chant, and a tiny bit of punk snarl;
"That's Not My Name,"
on which
White
sneers "Are you calling me darling? Are you calling me bird?," even sounds a little like riot grrrl sloganeering filtered through a decade's worth of pop. Even when
sings more melodically, as on
"Traffic Light"
and
"We Walk,"
the energy, attitude, and repetition can be grating, even if you're tapping your foot to the songs. However,
manage to stay on the catchy side with
"Fruit Machine,"
a
Lily Allen-ish
bit of cheeky bordering on vindictive pop, and on
"Keep Your Head"
"Be the One,"
which tone down
' energy to more manageable but still lively levels.
"Great DJ"
"Shut Up and Let Me Go"
(which sounds like a
Yeah Yeah Yeahs
parody/tribute) are also standouts, and it's no surprise they've been used in commercials -- they're so short and memorable, they feel like jingles waiting for products to endorse. Since they've got a real knack for writing songs that stick in your head whether you want them to or not,
' songs are fun in very small doses. ~ Heather Phares