When We Were the New Boys
finds
Rod Stewart
tackling the music of his
Brit-pop
offspring and coming to terms with his
pub rock
roots. It's a bit of a risky move, since he could have embarrassed himself with stodgy singing but, surprisingly, he (more or less) pulls it off. Granted, he's not nearly as energetic as he once was, and he stumbles on occasion, but he recasts
Oasis
'
"Cigarettes and Alcohol,"
Primal Scream
's
"Rocks,"
and
Graham Parker
"Hotel Chambermaid"
as comfortable
rockers
in the vein of
"Hot Legs."
They're not as vibrant as the
Gallaghers
' rolling thunder or
Bobby Gillespie
's ironic classicism, but they're easily the best
Rod
has cut in ages. Yet, like on any of his '90s records, he really shines on the
ballads
, giving
Ron Sexsmith
"Secret Heart,"
Nick Lowe
's gorgeous
"Shelly My Love,"
Mike Scott
"What Do You Want Me to Do"
lovely, unadorned readings, while letting his sentimental streak slip through in his original
"When We Were the New Boys"
and a cover of
the Faces
"Ooh La La,"
originally sung by
Ron Wood
. These unabashedly recall his rowdy, youthful days with
, and they're warmly nostalgic. He may be reveling in memory and trying recapture his youth, but
hasn't sounded this comfortable in years. ~ Stephen Thomas Erlewine