After an unbelievably ill-conceived pairing with the metalheaded
Roadrunner
label for their 1998 debut EP and their stunning 1999 full-length debut, Boston's premier indie-mopesters
the Sheila Divine
released
Where Have My Countrymen Gone
through the
Co-Op Pop
imprint. As with 1999's
New Parade
, the thing that makes
so spectacular is their penchant for creating melodies that soar with singular guitar work that is at once beautiful and brutal, especially when paired with
Aaron Perrino
's staggeringly rich vocals.
Perrino
draws heavily from
Morrissey
, to be sure, but never comes across sounding like a mere imitation; it's much more like he is possessed by the same overpowering and melancholy muse. The key word in describing
is intensity.
Countrymen
forgoes some of the more straightforward alt-rockisms of
in order to delve more freely into the group's more arty, experimental side hinted at on previous numbers like
"Spacemilk."
Moody atmospherics play a big role in songs like the
Radiohead
-meets-
Tindersticks
"Wanting Is Wasted"
and
"Some Kind of Home,"
but ultimately it is numbers like
"Sideways"
"Ostrichs"
that build steam until they explode into huge choruses that prove to be the best and most memorable of the lot. Something about the band's sound often calls to mind the mood-setting, intensity-building songs that accompanied montages in '80s teen movies that featured the group of underdog athletes or students preparing for the big game, or the big dance, as was so often the case. It's the inseparable combination of desperation and determination -- hopeless romanticism. Although the album gained little airplay (unlike
Parade
's
"Hum,"
which was a modest hit), oddly enough the song
did appear in several episodes of the
ABC
soap opera
One Life to Live
. However, the song wasn't performed by
on the series; it was "performed" by the show's fictional band,
Midnight Logic
. Unfortunately,
would prove to be
's final LP. An EP,
Secret Society
, came out just prior to the band's breakup in early 2003. Although it is a shame that the band didn't continue on, the good news is that the catalog they left behind is a striking musical statement that should stand the test of time nearly as well as the releases of their seeming idols like
the Smiths
. ~ Karen E. Graves