Some bands treat their between-album singles with all the care of a 7th grader finishing their homework on the bus before first period, but are clearly not like most bands. The 2015 installment in their "Chinese Zodiac" EP series is a single that's practically gargantuan -- the A-side, "Year of the Hare," clocks in at over 21 minutes, while the flip, "Cold California," is more efficient but still hefty, coming in at over eight minutes, making this single significantly longer than many classic punk albums at just a shade under half-an-hour. As befits 's musical approach, is as ambitious as it is long, and the title tune plays more like a suite than a single song, with acoustic guitars and pianos drifting through an atonal soundscape before the band finally kicks in at full gallop, with bellowing with his usual hurricane-level force, interrupted around the halfway mark by a cool R&B-influenced interlude with vocals from . Meanwhile, on "California Cold," the band kicks out a powerful garage-punk rager (with over-amped acoustic guitars adding texture) before easing into a low-key, stoned-out jam that includes more flute run through an Echoplex since were a force to be reckoned with. At heart, are punks who think like prog rockers, at least in the studio, and shows they can have it both ways, delivering just as strongly with sculpted sound as they do with righteous rage, and making use of the studio with the same intelligence that marks their most furious compositions. is best recommended to fans who already have a grasp of 's more esoteric moments -- beginners should try 2011's or 2014's -- but this is still smart, lively, and thoroughly individual music from one of the most free-thinking bands to emerge from the punk rock underground. ~ Mark Deming