Having partially created what many felt was a template for the
Smashing Pumpkins
to become successful,
Hum
found itself in an unenviable spot when the lead single from its major-label debut,
"Stars,"
became a hit precisely because of that sound. There's certainly a similar connection at points, what with some fierce, chopping feedback and crisp drum slams, but the lyrical portrait is less solipsistic and somehow the whole song feels more inspirational and dreamy for it. Like the song itself, then,
You'd Prefer an Astronaut
is, for all the similar love of
psychedelic
volume in service of emotion, its own beast, most specifically because of the singing.
Talbott
's lead vocals are much more restrained than
Billy Corgan
's aggro screams, bearing more immediate comparison with, say,
Mark Kozelek
of the
Red House Painters
or
Stephen Immerwahr
of
Codeine
. Sounding crushed and regretful amid the surge and flow of the music, his singing generally feels very approachable, reflective rather than declarative. When he does let loose with screaming here and there, it's nowhere near as strained as
Corgan
, something which a lot of people might be terribly happy about. As for the music, the quartet can work up a thick head of steam without cloning
James Iha
's metallic rampage, just that little more dreamier and muted around the corners. Songs like
"The Pod"
and
"I'd Like Your Hair Long"
certainly recall the chunkier punch of such
Pumpkins
numbers as
"I Am One"
"Cherub Rock,"
but, again, they easily stand on their own. Elsewhere, the slow building shimmer and then release of
"Why I Like the Robins"
is very much the band's own individual creations, as is the soft, hurt drawl on
"The Very Old Man"
and the downbeat start of
"I Hate It Too,"
for all things fire up towards the end. ~ Ned Raggett